Kendell Geers 
Born in may 1968, 
lives and works in Brussels


solo exhibitions


AfroPunk, Galerie Rodolphe Janssen with the collaboration of Galerie Didier Claes, Brussels


ProPaganDaDa, ADN Galeria, Barcelona, Spain


SeaSonSinHell, Gallery ACB, Budapest, Hungary (Show and Lecture)


Ani/Mystik/AKtivist, Goodman Gallery, Cape Town

The Intoxication of Being Kendell Geers, UnTubo, Siena, Italy (Show and Lecture)

Crossing the Line, Stephen Friedman Gallery, London

Solve et Coagula, Galerie Yvon Lambert, Paris


AlphaBête, Galerie Rodolphe Janssen, Bruxelles, Belgium.

Endgame, Galleria Continua Le Moulin, Boissy-le-Chatel, France 

Stealing Fire from Heaven, Galerist, Istanbul, Turkey 

Kendell Geers 1988-2013, Haus der Kunst, Munich (monography)


Songs of Innocence and of Experience

Goodman Gallery, Johannesburg, South Africa

The Marriage of Heaven and Hell

Chateau Blandy-Les-Tours, France


Hellraiser, ADN Galeria, Barcelona

No Government, No Cry; CIAP, Hasselt, Belgium

Fin de Partie, Galleria Continua, Beijing (catalogue)


Lady/God/Gift, Kendell Geers participation in the project: Domino Canibal, Contemporary Art Project Murcia, Spain (catalogue)

Third World Disorder, Goodman Gallery, Cape Town, South Africa

Handgrenades from my Heart, Galerie Rodolphe Janssen, Brussels, Belgium


A GUEST + A HOST = A GHOST, Stephen Friedman Gallery, London

Irrespektiv, MART, Trento, Italy (catalogue) 

The Wasteland , Galerie Yvon Lambert, Paris



Oficina Para de Arte A.C. , Guadalajara, Jalisco, Mexico 

Irrespektiv , MOCA, Musée d'art contemporain de Lyon, France (catalogue)

Irrespektiv , DA2 Domus Artium 2002, Salamanca, Spain (catalogue) 

PostPunkPaganPop , de Pury & Luxembourg Gallery, Zürich, Switzerland (catalogue) 


Kannibale, Galerie Yvon Lambert, Paris 

IrrespektivBALTIC, Newcastle Upon Tyne, United Kingdom (catalogue) 

Irrespektiv, Stedelijk Museum voor Actuele Kunst (S.M.A.K.), Gent, Belgium (catalogue)

Auto da fé, BPS22, Charleroi (catalogue)


The word made flesh; Gallery Stephen Friedman, London 


Satyr:IkonGalleria Continua, San Gimigano, Italy 

The Fall, Sorry we’re closed, Bruxelles 

Hung, Drawn and Quartered, Aspen Art Museum, Aspen, United States (catalogue) 


Hung, Drawn and Quartered, Contemporary Art Center, Cincinatti, United States (catalogue) 

Sexus, Cimaise et Portique, Albi, France (catalogue)

The forest of suicidesMACRO Museum, Roma, Italy (monography) 

In the flesh, Salon 94, New York


NOITU(LOVE)R , Castello di Ama per l’arte contemporanea Lecchi in Chianti 

Inferno, CCA Kitakyushu Project Gallery, Japan (artists book)

Terrorealismus, Migros Museum, Zurich 

The Prodigal son, Goodman Gallery, Johannesburg, South Africa 

Rogue States, Stephen Friedman Gallery, London 


Grenzgänger, Gallery Luis Campana, Köln, Germany 

Mondo Kane, Galleria Continua, San Gimignano, Italy 

A Spy in the House of Love, Camouflage, Brussels, Belgium 

Sympathy for the Devil, Palais de Tokyo, Paris (catalogue) 


Where Angels Fear to Tread, Delfina Project Space, London

Televisionaries, Würtembergischer Kunstverein and Schloss Solitude, Stuttgart, Germany 


Timbuktu, MAK, Vienna, Austria 

¡Ya Basta! Le Consortium, Dijon, France

Ex Africa Semper Aliquid Novi, Marian Goodman Gallery, Paris, France

Arte all’Arte V edizione, Volterra, Italy 

Inova, University of Wisconsin–Milwaukee, Milwaukee, USA 

Art Unlimited, Basel ArtFair, Basel, Switzerland 


States of Emergency, Vienna Secession, Vienna, Austria (catalogue) 

Heart of Darkness, South African National Gallery, Cape Town, South Africa 

Stephen Friedman Gallery, London

Project Rooms, Arco, Madrid, Spain


Guilty, Fort Klapperkop, Pretoria, South Africa 

98.3, ArtPace, San Antonio, Texas, USA (brochure) 

Heart of Darkness, Gallery in the Round, Grahamstown, South Africa (brochure) 


Memento Mori, de Vleeshal, Middelburg, Holland


Black on the Inside (with Neil Goedhals), Galerie Metroplex, Johannesburg, South Africa

16 June 1976 (with Willie Bester), Goodman Gallery, Johannesburg, South Africa


Work on Paper, Chalkham Hill Press Gallery, Johannesburg, South Africa

W.C. , Villa Arson, Nice, France 


Air de Paris (with Joachim Schonfeldt), Everard Read Contemporary & ICA & Market Theatre Galleries, Johannesburg,South Africa

We are Johannesburg Artists and Nothing More, Michaelis Art Gallery, Cape Town, South Africa


The New Patron, Everard Read Contemporary, Johannesburg, South Africa

Threshold: The Exhibition, Everard Read Contemporary, Johannesburg, South Africa

Objects, Natal Technikon Art Gallery, Durban, South Africa


Mediations, Goodman Gallery, Johannesburg, South Africa 


Box Theatre, University of the Witwatersrand, Johannesburg, South Africa



Red Snyper

Transformator, Zwevegem, Belgium

Red Snyper

Schlagstrom Festival, Berlin, Germany


Red Sniper

Body Farm, Magasin 4, Brussels



Starr Space, Brooklyn, New York

A House is Not a Home

La Calmeleterie, Amboise, France


Oficina Para de Arte A.C.

Guadalajara, Jalisco, Mexico


MOCA, Musée d'art contemporain de Lyon, France


Performance and Installation, Royal Monceau Hotel, Paris (Destruction Party)


Gallery de Pury & Luxembourg, Zürich


CIMATIC/07AV/FestivalBrussels International Festival for Live Audiovisual Art&VJing


50 Jaar Vrienden V/H Smak

Ghent, Belgium

Festival 10 days off, the fucKINGFUCKS

Vooruit, Ghent, Belgium

Biennale Charleroi danse, Performance Kendell Geers and the fucKINGFUCKS

BPS22, Charleroi


Cultuurcentrum Evergem, Belgium

Les Grands Spectacles - 120 Jahre Kunst und Massenkultur

Museum der Moderne Salzburg Mönchsberg, Austria

Elektra Festival

Montréal, Canada

Strange, Familiar and Unforgotten

Galerie Erna Hécey, Bruxelles

Dans le Collimateur

Dieppe Scene Nationale, Dieppe, France


Criminal Brides

Buda, Kortijk, Belgium


Center for Contemporary Art, Tel Aviv, Israel


Palais de Tokyo, Paris

Opera Video

Galleria Continua, San Gimignano, Italy


Rhythm and Chaos

Transart 03, Bolzano, Italy

Rhythm and Chaos

Beaulieu Art Gallery, Oudenaarde (group show)


curated by Luk van Acker, Handelsbeursgebouw, Ghent

Guided by Heroes

curated by Raf Simons, Z33, Hasselt


Centre Pompidou, Paris



group exhibitions




Divine Comedy

MMK, Frankfurt, Germany.


Ruffneck Constructivists

ICA, Philadelphia, US.



Maati Ghar, Indira Gandhi National Centre for the Arts, New Delhi, India.



Artifical Amsterdam

De Appel, Amsterdam



Forde, Geneve.


Beyond Liaisons

World Jewellery Museum, Seoul


My Joburg

La Maison Rouge, Paris, France.


Money, Sex, Power

Maison Particulière, Brussels, Belgium.


Celluloid Brushes

Ludlow 38, New York




4 Private collections, Maison Particuliere, Brussels 

Newtopia: The State of Human Rights 

exhibition for the City of Mechelen, Belgium (catalogue) 

Manifesta 9, The European Biennial of Contemporary Art 

Genk, Limburg, Belgium (catalogue) 

Néon, Who’s afraid of red, yellow and blue? 

La Maison Rouge, Paris (catalogue) 


CON AMORE — Leif Djurhuus Samling 

ARoS Aarhus Kunstmuseum, Aarhus, Denmark (catalogue)


Galerie Rodolphe Janssen, Brussels

Mémoires du futur, la collection Olbricht 

La maison Rouge, Paris (catalogue)

Spheres 4 

Galleria Continua Le Moulin, Paris 

It Won't Happen Again 

Galleria Continua, Beijing, China 


CAF Art Museum Biennale, Beijing, China 

Terrible Beauty—Art, Crisis, Change & The Office of Non-Compliance 

Dublin Contemporary 2011, Ireland 

How to Philosophize with a Hammer 

White Box, New York, United States 

Big Brother, L'artiste face aux Tyrans 

The Palais des Arts et du Festival, Dinard, France (catalogue Glasstress, Eventi collaterali di La Biennale di Venizia, Venice, Italy  

Sympathy for the Devil

VanhaerentsArtCollection, Brussels, Belgium 

Eat Me

Goodman Gallery, Cape Town, South Africa 

The Luminous Interval 

The Daskalopoulos Collection, The Guggenheim, Bilbao (catalogue)

Celluloid Brushes 

Film Posters by artists, Etablissement d'en Face, Brussels 


Mexico Expected/Unexpected

MOLAA, Museum of Latin American Art, CA, United States

Je crois aux Miracles 

Collection Yvon Lambert, Avignon 


Le Moulin, Galleria Continua, Boissy-le Chatel, Paris, France 

The Right to Protest

Museum on the Seam, Socio-Political Contemporary Art Museum, Israel

Bare Life 

Museum on the Seam, Socio-Political Contemporary Art Museum, Israel

Wish List of a Young Collector 

Galerie Yvon Lambert, Paris 

Lust and Vice: The Seven Deadly Sins from Dürer to Nauman 

Kunstmuseum Bern, Bern , Switzerland (catalogue) 

Winter Show 

Goodman Gallery, Cape Town, South Africa 

México — esperado/inesperado 

B.P.S.22 - Espace de création contemporaine, Belgium 

Spazio, Dalle collezioni di arte e architettura del MAXXI 

MAXXI, Roma, Italy 

Bern Biennale 

The Museum of Fine Art in Bern, Switzerland

The 29th Bienal de São Paulo 

Brazil (catalogue)

Nieuwe Monumenten 

Middelheimmuseum, Antwerp (catalogue) 

Strengths and Convictions 

Nobel Peace Center, Oslo, Sweden (catalogue) 

UltraMegaLore-Fashion Icon 

Het Modemuseum Hasselt, Belgium (catalogue) 

One Shot ! Football and contemporary art 

BPS22 espace de création contemporaine, Charleroi, Belgium (catalogue) 

Dada South?

Iziko Museums Of Cape Town, South Africa (catalogue)

Contemplating the Void 

Guggenheim Museum, New York 



ADN Galeria, Barcelona 

Visions of paradise: utopias | dystopias | heterotopias 

Berezdivin Collection, Espacio 1414, Puerto Rico

Art Foundation Mallorca 

CCA Andratx, Mallorca, Spain 

Fonction Critique, quelques apparitions diversement manifestees, sur une proposition de M.Fadat 

Aperto, Montpellier, France (Catalogue) 

Spheres 2009 

Galleria Continua, Le Moulin, Paris 

Locus Solus 

Galerie Yvon Lambert , Paris 

Re:Print, n.a.v. een grafisch werktraject in het Frans Masereel Centrum in Kasterlee 

Cultuurcentrum Mechelen, Mechelen, Belgium (catalogue) 

Hellwach Gegenwartig 

Ausblicke auf die Sammlung Marta, Marta Herford, Germany 

Dark Summer 

Galerie Rodolphe Janssen, Brussels 

Une collezione trasversale Da Duchamp a Nino Calos, da Cattelan a Entang Wiharso 

ALT Arte Contemporanea, Arte Lavoro Territorio, Spazio Fausto Radici, Alzano Lombardo 

A House is Not a Home 

La Calmeleterie, Amboise, France (catalogue) 

SONS Shoes Or not Shoes? 

Kruishoutem, Belgium 

Time of the Signs 

de Pury & Luxembourg Gallery, Zürich, Switzerland

Signals in the Dark: Art in the Shadow of War

Model Arts and Niland Gallery, Sligo, Ireland 


Artist-Citizen / Contextual artistic practices 

Cultural Centre of Belgrade, Serbia 

Chambre à part II 

La Réserve, Paris 

7+1Project Rooms 

MARCO, Museo de Arte Contemporànea de Vigo, Spain (catalogue) 

‘My Favorite Object’, Artists and Architects present their favourite object in the MAK 

The Viennaartweek, MAK, Vienna (catalogue) 


New Flag Art Foundation Show, Contemporary Artist and Ed Ruscha, curated by Lisa Dennison, New York (catalogue) 

Collection Agustin et Isabel Coppel, Mexico: Expected/Unexpected 

La Maison Rouge, Paris (catalogue)


Sofia Hultén curated by Richard Julin, Magasin 3, Stockholm Konsthall, Sweden 


group show curated by Tania Doropoulos, Gallery Anna Schwartz, Sydney, Australia 

Bare Life 

Jerusalem's Museum on the Seam, Israel 

Neon Bible

Collection Yvon Lambert, Avignon 

Neighbourhood Secrets 

Kvadrat, Stavanger 2008 European Capital of Culture, Norway (catalogue) 

Person of the Crowd: The contemporary Art of Flânerie 

Neuberger Museum of Art, New York 

Signals in the Dark: Art in the Shadow of War 

Blackwood Gallery, Curated by Séamus Kealy, University of Toronto at Mississauga, Canada (catalogue) 


J'embrasse Pas 

Collection Yvon Lambert, Avignon 

Passage du Temps 

Collection François Pinault Foundation, Lille (catalogue) 

My Sweet Sixteen Party 

Galerie Rodolphe Janssen, Brussels 

Werchter Rock Festival 

Amuseevous project, Werchter, Belgium 

Hidden Cities 

Third International Architecture Biennale Rotterdam, Rotterdam (catalogue) 

African Pavilion 

52nd Biennale di Venezia, Venice, Italy (catalogue) 

Global Cities 

Turbine Hall, Tate Modern, London 

L’emprise du lieu 

curated by Daniel Buren , Domaine Pommery, Reims, France (catalogue)

One Colour 

Galleria Continua, Beijing, China 

The Freak Show 

Musée d'art contemporain de Lyon, France (catalogue) 

Stock Zero, Or The Icy Water Of Egoistical Calculation, Nicolas Bourriaud 

2 Moscow Biennale of Contemporary Art, Moscow (catalogue) 

1 Biennal of the Canaries islands 

Santa Cruz de Tenerife (catalogue) 

Emerging Wor(l)ds 

The Prague Contemporary Art Festival, Prague 

Il faut rendre à Cézanne... 

Collection Yvon Lambert, Avignon (catalogue) 


Only the Paranoid Survive 

HVCCA - Hudson Valley Center for Contemporary Art, USA 

Being, In Brussels 

Argos, Brussels (catalogue) 

SD Observatory 

IVAM, Valencia, Spain (catalogue) 


curated by Francesco Bonami, Fondazione Pitti Immagine, Stazione Leopolda, Florence,Italy (catalogue) 

A Fiction of Authenticity-Contemporary Africa Abroad 

Blaffer Gallery-The Art Museum of the University of Houston, Houston, TX, USA 

One Star Stop 

Galerie Erna HÈcey, Brussels, Belgium 

Take a Walk on the Wild Side 

de Pury & Luxembourg, Zürich (catalogue) 

Images Publiques 

1ère Triennale d'art public, Liège, Belgium 


Museum der Bildenden Künste Leipzig, Germany (catalogue) 

The Flip Book Show 

Fotomuseum, Antwerp 

Taste. In Viaggio Con Le Diversità Del Gusto 

Stazione Leopolda, Firenze 


Il paesaggio urbano nell'arte contemporanea, Palazzo Cavour, Turin, Italy (catalogue) 

DON JUAN alias Don Giovanni¹ or “Two plus two equals four” or “Lust is the only swindle I wish permanence” 

Kunsthalle Wien, Austria (catalogue) 

Exces, Nr.12 Beelden en lichamen in buitensporige tijden 

Z33, Zuivelmarkt , Hasselt, Belgium(catalogue)

Looking both ways 

Museum of the African Diaspora, San Francisco (catalogue) 

George Condo, Wim Delvoye, Kendell Geers, MRZYK & Moriceau, Thomas Palme, Gert & Uwe Tobias 

Galerie Rodolphe Janssen, Brussels, Belgium 


Lichtkunst aus Kunstlicht 

ZKM Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany (catalogue) 

War is over 1945-2005 la libertà dell'arte da Picasso a Warhol a Cattelan 

GAMeC – Galleria d’Arte 

Moderna e Contemporanea di Bergamo 

Italy (catalogue) 


International exhibition of contemporary art, Smart Project Space, Amsterdam (catalogue) 

Expérience de la durée 

Biennale d'art contemporain de Lyon 2005, Lyon (catalogue) 

Leaps of Faith 

Nicosia, Cyprus (catalogue) 


The Flip Book Show, KunstHalle Dusseldorf, Germany (catalogue) 

CCA Kitakyushu Artist’s Books 

Galerie Christophe Daviet-Thery, Paris 

Brussels South Airport 

Krinzinger Projekte, Vienna (catalogue) 


Galleria Continua, Beijing (China) 

10th year Anniversary Exhibition 

Stephen Friedman Gallery, London 


Centre Pompidou, Paris, France (catalogue) 

Looking both ways 

curated by L.A.Farell, Gulbenkian, Lisbon (touring show) (catalogue) 

Looking both ways 

curated by L.A.Farell, City Art Centre, Edinburgh (touring show) (catalogue) 


Wall Drawings

MMSU,16th International Drawings Exhibition curated by Branko Franceschi, Rijeka, Croetia (catalogue) 

Terminal 5 

curated by Rachel K.Ward, John F.Kennedy International Airport, New York City (catalogue) 

Stock Zero-Opera 

curated by Nicolas Bourriaud, MNAC, Bucharest, Romania (catalogue) 

Art in the Age of Terrorism 

Millais Gallery, Southampton, United Kingdom 

Channel Zero 

Curated by Katerina Gregos, Netherlands Media Art Institute, Amsterdam 

Democracy is fun 

White box, New York 


The cultural Olympiad and the National Museum of Contemporary Art, Athens, Greece (catalogue)

Tijdelijk verblijf/ Séjour Ephemère/temporary residence 

Stedelijk Musea Kortrijk, Kortrijk, Belgium 

Ipeg bild.ton.maschine 

Künstlerhaus Bethanien, Berlin (Liquid Architecture) 

Looking both ways 

curated by L.A.Farell, Peabody Essex Museum, Massachusetts, USA (touring show) (catalogue) 

Cremers haufen.alltag,prozesse, handlungen: kunst der 60er jahre und heute 

Westfälisches Landesmuseum für kunst und kulturgeschichte, Münster, Germany (catalogue) 

The Ten Commandments 

Deutsches Hygiene-Museum Dresden, Germany 

OK, America ! 

APEX Art, New York 

Le Opere e i Giorni 

Certosa di San Lorenzo, Padula, Italy (catalogue) 

Not Done 

Muhka, Antwerp (catalogue) 

Art Unlimited 

Galeria Continua, Basel art fair, Switzerland (catalogue)

Visions of Paradise 

João Ferreira Fine Art, Cape Town, South Africa (catalogue) 

Looking both ways 

curated by L.A.Farell, Cranbrook Art Museum (touring show) (catalogue) 

Looking both ways 

curated by L.A.Farell, Peabody Essex Museum, Salem (touring show) (catalogue)

Les Afriques 

Tri Postal, Lille, France 


Synopsis III -Testimonies: between fiction and reality 

EMET, National Museum of Contemporary Art, Athens(catalogue) 

Looking both ways 

curated by L.A.Farell, Museum for African Art, New York, USA (catalogue) 

Poetic Justice 

8th International Istanbul Biennal, Haghia Sophia Museum,Turkey (catalogue) 

Black President: The Art and Legacy of Fela Anikulapo-Kuti

New Museum, New York (catalogue) 

A Fiction of Authenticity: Contemporary Africa Abroad 

Contemporary Art Museum St Louis, Missouri (catalogue) 

Opening Gallery Beaulieu 

Oudenaarde, Belgium 

Poëzie Zomer 

Opzij van het kijken, Watou, Belgium 

African Exile Museum 

Migros Museum, Zürich, Switzerland

 A Prove d’Ascolto 

Galleria Civica di Arte Contemporanea, Trento (catalogue) 

Time, art and architecture 

Biennal of Valencia, Spain (catalogue) 


curated by Eric Troncy, Collection Lambert en Avignon, France (catalogue) 

Göteborgs Internationella Konstbiennal 

Göteborg, Sweden (catalogue) 

Next Flag 

Hans Bogatzke Collection, B.P.S.22, Charleroi, Belgium 


The Blue Gallery, London 

HardCore, Vers un Nouvel Activisme 

Palais de Tokyo, Paris (catalogue) 

M_ARS – Art and War 

Neue Galerie am Landesmuseum Joanneum, Graz, Austria (catalogue) 

Salon des Refusées 

Fondazione Bevilacqua La Masa, Venice (Catalogue) 


Galerie Asbæk & Kastrupgardsamlingen, Copenhagen, (Catalogue) 

Observatorio #5 

Camouflage, Brussels, Belgium 

Next Flag 

B.P.S.22, Charleroi, Belgium (Catalogue) 


Gulbenkian Foundation, Lisbon, Portugal 


Documenta 11 

Kassel, Germany (catalogue) 


Museum of Modern Art, Oxford (catalogue) 

The Short Century

PS1, New York, USA (catalogue)

Editionen Part One / 2002

Galerie & Edition Artelier, Graz, Austria 

Tutto Casino 

Villa Medici, Rome, Italy (Catalogue) 

To Actuality 

Bolzano, Italy 


1st International Video-Art Biennial, Tel Aviv, Israel (Catalogue) 

Refuge Tilflukt 

Henie Onstad, Oslo (Catalogue) 

Handlungsanweisungen - Instructions for Actions, (with Anri Sala)

Kunsthalle, Wien (Catalogue) 



zeichen > <sprache 

Galerie Grita Insam, Wien 

Enactments of the Self 

Steirischiser Herbst, Graz 

Surviving Apartheid 

Maison Europenne de la Photographie, Paris 


ARS 01 

Kiasma, Helsinki, Finland (catalogue) 

Marking the Territory 

The Irish Museum of Modern Art 

Recasting the Past: Beneath the Hollywood Tinsel 

Main Art Gallery, California State University, Fullerton, California 

The Short Century 

Museum Villa Stuck, Munich, Germany, and touring (catalogue) 

Locus Focus 

Sonsbeek, Arnheim, The Netherlands (catalogue)

Skulptur – Biennale im Münsterland 

Kloster Gravenhorst, Hörstel, Germany (catalogue) 

Casino 2001 

1st Quadronnial of Contemporary Art, S.M.A.K., Gent, Belgium (catalogue) 


Dundee Contemporary Arts and touring 


Centre for Contemporary Arts, Belgrade, Serbia (catalogue) 

In cold blood 

State University of New York and New Palz, USA 

Short Stories 

Fabbrica del Vaporeo, Milan, Italy (catalogue) 

Berlin Biennale 

Jannowitzbrücke, Berlin, Germany (catalogue) 


Pusan International Contemporary Art Festival 2000 

Pusan, Korea; curated by Hou Hanru (catalogue) 

The Sky is the Limit Taipei Biennial 

Taipei, Taiwan (catalogue) 

3 Räume – 3 Flüsse 

Hann.Münden, Kassel, Germany (catalogue) 

The Invisible Touch 

Kunstraum Innsbruck, Austria 

Echigo-Tsumari Art Triennial 

Japan (catalogue) 

VideoBrasil International Electronic Art Festival 

Sao Paulo, Brasil (catalogue) 

Acts of Resistance 

Koldo Mitxelena Kulturunea, San Sebastian, Spain (catalogue) 

Untitled (Sculpture) 

Luhring Augustine, New York, USA 

Inverse Perspectives 

Edsvik konst och kultur, Sweden 

Positions Attitudes Actions 

Foto Biennale Rotterdam, The Netherlands (catalogue) 

Atmosfere Metropolitane 

Openspace, Milano, Italy 

Memórias íntimas Marcas 

MUHKA, Antwerp, Belgium (catalogue) 

Continental Shift/ For R.EAL 

Bonnefantenmuseum, Maastricht, The Netherlands (catalogue) 


Art Gallery of Western Australia, Perth, Australia 


Le Magasin, Grenoble, France (catalogue) 

South Meets West 

Kunsthalle Bern, Switzerland (catalogue) 

HB First View 

Camouflage, Johannesburg, South Africa 



Kunstmuseum Bonn, Germany (catalogue)

Bodies of Resistance 

Real Art Ways, Hartford, Connecticut, USA 

South Meets West 

National Museum, Accra, Ghana (catalogue) 

Carnegie International 

Pittsburgh, Pennsylvania, USA (catalogue) 

Five Continents and One City 

Museo de la Ciudad de Mexico, Mexico City (catalogue) 


NIFCA Stockholm, Sweden 


Camouflage, Brussels, Belgium 

Extra and Ordinaire 

Printemps de Cahors, Cahors, France (catalogue) 

Following and to be Followed 

Le Consortium, Dijon, France 

High Red Centre 

Centre for Contemporary Art, Glasgow 


Galerie für Zeitgenössische Kunst, Leipzig, Germany (catalogue) 


S.M.A.K., Ghent, Belgium (catalogue) 

Global Conceptualism: points of Origin 1950s-1980s 

Queens Museum of Art, New York, USA (catalogue) 

Entrée Libre 



Memórias Íntimas Marcas 

Instituto de Arte Contemporânea, Lisbon, Portugal 

Europa Afrika 

7 Triennale der Kleinen Plastik’ Südwest LB, Stuttgart, Germany (catalogue) 

Dark Continent 

Klein Karoo Arts Festival, Outshoorn


Bard Center for Curatorial Studies, Annadale on Hudson, New York 

City Canibal 

Paço Das Artes, São Paulo Bienal, São Paulo, Brasil (catalogue) 


Track 16 Gallery, Santa Monica, University Galleries, Florida Atlantic University, USA (catalogue) 


Edsvik konst kultur, Sollentuna, Sweden (catalogue) 


Alternating Currents 

Johannesburg Biennale, South Africa (catalogue) 


University of South Florida Art Gallery, Tampa, Florida, USA (catalogue) 

Unplugged II 

Rembrandt van Rijn Art Gallery, Market Theatre, Johannesburg, South Africa 


Norwich School of Art and Design Art Gallery, Norwich

Purple and Green 

Pretoria Art Museum, Pretoria, South Africa 


Inclusion Exclusion 

Kunstlerhaus, Graz, Austria (catalogue) 

Simunye (We Are One) 

Adelson Galleries, New York, USA 


Haus der Kulturen der Welt, Berlin, Germany 

Egoists at Work 

Forum Stadtpark, Graz, Austria 


de Appel, Amsterdam, The Netherlands (catalogue) 


Rembrandt van Rijn Gallery, Market Theatre, Johannesburg, South Africa 

The Young and the Restless 

Sandton Art Gallery, Sandton, South Africa 


On the Road 

Delfina Studios, Africa95, London (catalogue) 

Mayibuye iAfrika 

Bernard Jacobson Gallery, London 


Johannesburg Biennale, Johannesburg Art Gallery, South Africa (catalogue) 

Vita Art Now 

Johannesburg Art Gallery, South Africa 


Vita Art Now 

Johannesburg Art Gallery, South Africa 

Quinta Bienal de la Habana 

Centro Wifredo Lam, Havana, Cuba (catalogue)

Un Art Contemporain d’Afrique du Sud 

curated by Jean-Yves Jounnais, Galerie de l’Esplanade, La Defence, Paris, France (catalogue) 

VI Biennale d’Arte Sacra 

San Gabriele, Teramo, Italy 

Identita e Rappresentazioni Cartografiche 

curated by Teresa Macri and Lucilla Meloni, Museo Nazionale Preistorico Etnografico Luigi Pigorini, Rome, Italy 

The Netherlands Against Apartheid 

Amsterdam’s Historisch Museum, Holland (catalogue) 


Stedelijk Museum, Amsterdam, Holland (catalogue)




RACK, L'officiel Art, p.108-109, N#1, Paris

Alle origini morali dell'austerita

Le monde Diplomatique, Il Manifesto, p.3, Italy


Visual Century

South African Art in Context, p.22, 27, Volume four 1992-2007, South Africa

Skulls in contemporary Art and Design

curated by Patrice Farameh, published by Farameh Media LLc, pp.152-155, New York.


Art Review, December, introduced by Grayson Perry

Law and Art, Justice, Ethics and Aesthetics

Edited by Oren Ben-Dor, GlassHouse Book, England

Glasstress 2011

Eventi collaterali di La Biennale di Venizia, pp.126-131, Published by Marsilio, Venice, Italy

Wall Text, The Brick as metaphor in South Africa art and writing

by Sean O'Toole, Frieze, p.23, issue 141, London

Collection Vanmoerkerke

p.74-75, Edition Rispoli, Brussels

Contemporary Art - World Currents

by Terry Smith, p.231, 233, United Kingdom

Art&Agenda, Political Art and Activism

Edited by Robert Klanten, Matthias Hubner, Alain Bieber, Pedro Alonzo and Gregor Jansen, p.108-109, Published by Gestalten, Berlin



Inventario, Tutto e Progetto, 02, p. 49, Italy

Domino Canibal

a project by Cuauhtemoc Medina, published by Poligrafa, pp.102-131, Murcia, Spain

Part Four: The Union of Opposites

by Kendell Geers,p.24, Art SouthAfrica, Vol09 issue02 summer

Part Two: The Divine Body

by Kendell Geers, p.30, Art SouthAfrica, Vol.08 Issue 04 Winter

Politics of Art: From the EMST collection

National Museum of Contemporary Art, Athens, Greece

The Critics,The Curators,The Artists, Rotterdam Dialogues

p.201-202, Witte De With Publishers, Rotterdam

Still Edgy after all these years

Karen Rutter, p15, Sunday Times, South Africa

Kendell Geers

Leisure, p.84, L'Uomo Vogue Magazine, Italy

'Terrorist' pa Fredstokt

Guri Kulas, Klassekampen, p18-19, Norway

Art Brussels sous le volcan, la foire

Point de Vue, no 3224, p.35, Belgium

Brassage et investigations culturelles

Claude Lorent, Arts, La Libre Belgique, no 58, p.4-5, Belgium


Men's Firenze Milano Paris Fall, Winter 2010-2011 (cover+inserts)


Men's & Women's New York Los Angeles Fall winter 2010 (cover +inserts)


:Ve News

140 Venice guide, pp.36-37 and cover, Venezia, Italy

Brussels Residents, Fractured, Quiet and Discrete

Katerina Gregos, Flash Art, p.69, No 269, Italy

The artist's political context

Gary Willis, Art is Mime, The key Issues concerning Contemporary Art, pp.66-69, Lambert Academic Publishing, Germany and U.S.A.

L'Italie a travers ses vins

Guido Francque et Fabian Scheys, p.123, Antwerp

Time Out London

Helen Sumpter, London

Fair trends: it's bling, but not as we know it

The Art Newspaper, Art Basel Miami Beach Daily Edition, p.2, Miami


Het Frans Masereel Centrum, Mechelen, Belgium

The City according to Art

Brussels, J.J.Charlesworth, Art Review, Issue 35, October, London

Film.Video.New Media at the Art Institute of Chicago: With the Donna and Howard Stone Gift

Museum Studies 35,1, United States

Los Flamencos no Comen

Revue d'Art et Recherche, Numero 13, p.2,5,11,15,25,45, Nimes, France

Fonction Critique, quelques apparitions diversement manifestées

publié par Aperto, pp.32-34, Montpellier, France

Kendell Geers, l'opera come processo di vita

Corriere del Trentino, p12, Italy

Terrorisme als thema en praktijk in de kunst

De Nieuwe Maatschappij Arti et Amicitiae, Franck Gribling, p.3, Amsterdam


Lust For Life

BC Magazine, Autom 2008, N.04, pp.68-69, Paris

Wall Rockets

Published by The FLAG Art Foudation, Curated by Lisa Dennison, p.135, New York

Cartels à l’ombre du cartel

René Solis, p.23, Libération, France

Pecado, Artes Plasticas

Ocio, La guia para vivir la ciudad, p.30, Mexico City

Sommaire des actualités

Art Press no 352, p.85, Damien Sausset, Paris

Mexico: Expected/Unexpected

collection Isabel et Augustin Coppel, p.77, Edition de la Maison Rouge, Paris

Le Livre des Vanites

Elisabeth Quin, p. 319 and p. 331, Edition du Regard, Paris

Brussels Sprouts

by Miles Socha, W Magazine, pp.176-177, November, United States

Portfolio Kendell Geers

Mouvement l’Indisciplinaire des Arst Vivants, pp.68-73, N.47, Paris

Kendell Geers

Paris by Serge Leblond, L’Uomo Vogue Magazine, Edizioni Condé Nast, p.210-211, N°395, Milano

International de rigueur

Beaux Arts Magazine, p.64, N°293, Paris

A Magazine

Curated by Riccardo Tisci, A Magazine #8, p.164, Antwerp, Belgium

De Wim Delvoye a Francis Alys, 500 Chefs d’Oeuvres de L’Art Belge

p. 44-45, Edition Racine, Collection réalisée en collaboration avec Le soir, Bruxelles

‘Soy un Anticristo, soy un Anarquista’ (La logica de la provocacion en la obra de Kendell Geers)

by Javier Panera, International Contemporary Art, pp.38-43, N°27, Spain

Exposiciones Nationales, Kendell Geers, Irrespektiv

DA2, Salamanca, ArtNotes, p.40, N°22, Spain

Epreuves Corporelles et Visuelle

La Libre Belgique, p.20, 13 Octobre, Belgique

Un mois, un lapin, un artiste

Playboy Magazine, p.31, Mars , Paris

BC, Be contemporary Magazine

Winter 2008, pp.106-107, Paris

Livres Panorama

Beaux Arts Magazine, p.40, Janvier, Paris


Art Press, pp.83-84, Numéro 341, Paris


On the Encoded Strategies of Revolution

by Ines Gebetsroither, Spike, pp.62-70, Vienna

Résistance et Spéculation

Le Journal des Arts, p.17, Numéro 265, Sept-Oct, Paris

Kendell Geers, IR-RESP-EKT-IV, Het Boek

Hans Theys, <H>ART, September, Belgium

Kendell Geers s'engage, 1000 Expos de L'été

Beaux Arts Magazine, p.80, Juillet-Août, Paris

Biennale de Venise, La pluie et le beau temps

Le Journal des Arts, p.12, N°263, Paris

De Bom onder het artistieke establishment

Gonzo, pp.18-21, #81, July-August, Belgium

52nd Venice Biennial

Katerina Gregos, FlashArt, pp.63-64 and 81, N°255, July-September

Gentse Feesten, Kunst op 10 days Off met The FucKingFucks, Veel Gefuck, Weinig Seks

De Morgen, 20 july, p.44, Belgium

La descente aux enfers

par Charles Gohy, L'Art Même, N°34, pp.34-35; Belgium

Ici et maintenant

Joeri De Bruyn, A+ Magazine, n°206, juin/juillet, Belgium

Die Frage nach der richtigen Subversion

IZ3W, pp.30-31, July/August, Germany

Printed Project, 'Unconditional Love'

Curator/Editor Kim Levin, Postpopfuck, pp.59-64, published by Visual Artists Ireland, Ireland

Het Alfabet Der Grenzen

Gerrit Vermeiren, <H>ART, #21, May, Belgium

Pourquoi ils sont nietzschéens

Philosophie magazine, p.69, n°6, Paris, France


I, Terrorealist

by Kendell Geers,Uovo, pp.334-367, Issue/12, Italy

La Violence Innommable

Nicolas Exertier, pp.58-77, Parachute 124, Violence Unlimited, Québec

First Works by 362 Artists

edited by Francesca Richer and Matthew Rosenzweig, p.143,Thames and Hudson, London


Blend Magazine, pp.18-19, April, The Netherland

Time after time

Brooks Adams, Art in America, p.61, February, New York

Les Vanités dans l'art contemporain

sous la direction d'Anne-Marie Charbonneaux, pp.182-183, Flammarion, France

The Flip Book Show

FotoMuseum Magazine, pp.26-27+cover, Antwerpen, Belgium


I, TerroRealist

by Kendell Geers, Art in the Age of Terrorism, pp.114-129, Edited by Graham Coulter-Smith and Maurice Owen, PHP, London

Recipe for Making Plastic Explosives from Bleach

Artistaste,pp.80-83, Published by Toohcsmi, uitgevers, Belgium

La sainte Vierge

A Magazine curated by Haider Ackermann, #3, pp.136-137, Belgium

Cut the Krap

an interview with Kendell Geers by Jérôme Sans, pp.146-167, N.10, 00 People Uovo Magazines, Italy


pp.22-39, 00 People, Uovo Magazines, Italy

30 Individual Exhibitions, Contemporary Art in Belgium 2006, Bart De Baere & Henrz Bounameaux

pp.150-153, Best of Publishing, Belgium

La limite et la dynamique de son pouvoir, Doris van Drathen; Les vanités dans l'art contemporain

sous la direction d'Anne-Marie Charbonneaux, pp.182-183, Flammarion, Paris

Ethics and Aesthetics, Art and Terror

Artlies, #45,Winter 2005, Texas, United States

Il Détournement dal Sudafrica

Il Manifesto, n°207, Sabato 27 agosto, Italy

Outer Limits

reviewed by Edwin Pouncey, Wire, Issue 254, April, London, United Kingdom


Federico Chiara, Vogue Italia, N°656, p.80, April , Italy

SA Art ‘Lacks passion, pride’

by Celean Jacobson, Sunday Times, 8 May, Johannesburg, South Africa

Il Cavaliere Azzuro per una critica dell’estetica Berlusconiana

Marco Senaldi, Flash Art, n°251, pp.106-109, April-May, Italy

"Dionysiac" sans plaisir

Liberation, by Hervé Gauville, 26 and 27 February, Paris, France

Art Mixed with double meanings, dark humor

The Aspen Times, by Stewart Oksenhorn, Aspen, United States

Utopian Hell

Aspen Daily News Time Out, by Vanessa Pierce, pp.4-5, Febr. 17-23, United States

Bloomfield Hills Michigan

Matthew Biro, Art Papers, pp.51-52, Jan/Feb, Atlanta

Dangerous Liaisons

Katerina Gregos, Contemporary Art Magazine, pp.22-25 +cover, n°70, London


Belio, pp.026-030 and pp.109-110, Summary 016, Madrid


Interview in Time Out

Athens, p.67, June

Le Terrorisme de Kendell Geers

Nicolas Exertier, Art Presence, pp.12-19, n°52, Paris


Art Press, Evence Verdier, pp. 77-78, no 305, Paris

Blinded by the light

I-D Magazine, p.84, Issue No 247, London


Aus Europa, Parkett, p.176, N°70, Zürich

Visions of Paradise

Nick Dawes, Art Southafrica, p.75, Vol02 issue04, Winter 2004

Seasonal Unrulines, a dialogue between Kendell Geers and Walter Van Bierendonck

JANUS Magazine, 16/04, pp.34-38, Antwerpen, Belgium

A Provocateur and Insider's Outsider from South Africa

Kim Levin, The Village Voice, 26th April, New York

Kunstvermittlung im System Kunst

Pierangelo Maset, The educational complex, pp.30-33,Kunstmuseum Wolfsburg, Germany

Very New Art

pp.81-82, BT, April, Vol.56, N°847, Japan

Synopsis 3

Fabian Stech, Kunstforum International, Bd.169, pp. 318-319, Germany

Conversation between Kendell Geers, Daniel Buren and Nicolas Bourriaud

Catalogue Kendell Geers, Rome : MACRO, Milan : Mondadori Electa Spa, p. 44-66 : italien, p. 70-95 : anglais

Kendell Geers en conversation avec Daniel Buren et Nicolas Bourriaud

With The Effectiveness of a Tank, in cat. Next Flag, p. 151


Istanbul and elsewhere

Emma Bedfordn, Art Southafrica magazine, p.11, Vol02, Issue02, South Africa

Istambul Biennale

Joerg Bader, Kunstforum International, Bd.167, pp.335-357, Ruppichteroth, Germany

Dreaming Red, Creating Artpace

Linda Pace and Jan Jarboe Russell, pp.174, Chrissie Iles, ArtPace, San Antonio

Redefining the African Diaspora

Holland Cotter, The New York Times, New York

Héritages, L'exposition du grand Palais Gauguin (Tahiti)

Beaux Arts Magazine Hors-Série n°7, pp.70-71 and p.79, Paris


Arte, la VIII Biennale di Istanbul, Alias #37, p.6, Italy

Coollustre,Weather Everything Dramatically Different, 3 expositions d'Eric Troncy

Les presses du réel, Collection Lambert en Avignon, France

Kendell Geers

Colin Richards, Art Southafrica magazine, pp.64-65, Vol02, Issue01, South Africa

Salon des refusés

Public art projects never realized, Roberto Pinto, Venice XXD11, Uber Kunst und Kunstler der Gegenwart, Ein NachLesebuch zur Documenta 11

Die Note beim Nation building”- Sudafrika im Fokus von Kendell Geers, David Goldblatt, Santu Mofokeng, Alfredo Jaar und Steve McQueen

pp.32-35 and Tot oder lebendig Die Entdeckung einer Arbeit auf der Documenta 11, pp.104-107, Germany

Sand in the Vaseline

Art Southafrica, interview with Jerome Sans, pp.28-34, Vol.1 #3, South Africa (Cover)

Look back in anger

ArtReview, Godfrey Barker, Vol.LIV, pp.33-34, London

Hackers Vaillants

Liberation, Elizabeth Lebovici, p.30, Paris

Willkommen im Wunderland, Die Utopie des Zuhause, Reporter ohne grenzen

Fotos fur die Pressefreiheit 2003, pp.30-37, Berlin

Suburbia I

Quaderns d'arquitectura i urbanisme n#237, pp.48-51, Barcelona

Hardcore, Desir de Politique

Emmanuelle Lequeux, Beaux Arts Magazine, #226, pp. 48-49, Paris

Action Directe?

Les Inrockuptibles, Jade Lingaard et Jean-Max Colard, #380, pp. 36-40, March, Paris,


Time Out, Martin Coomer, #1697, p.45, Febr-March, London

S is for…

What’s On in London, Jim Healy, p.23, London


Art Southafrica, Emma Bedford, p.63, Vol.1 #2, South Africa

Post Production

Nicolas Bourriaud, Lukas and Sternberg, p. 9, New York


Teresa Macri, Meltemi, pp. 142-145, Rome, Italy

Waiting for the Barbarians, Der Hund ist fur die Hyane eine Kolanuss: Zeitgenossische Kunst und Kultur aus Afrika

Jahresring #49, Project pp. 106-111, Oktagon, Koln

The Devil’s Rope, A Cultural History of Barbed Wire

Alan Krell, Reaktion Books, pp. 113, 114, 172-3, 175, London


20 Artworks

Crash ,#23, p. 61, Paris


The Passenger; Kendell Geers’ art of terror, Joseph Whitt


Art Papers #26.6,pp. 22-27, Atlanta (Cover)


Seven from Documenta, Scott McLeod


Prefix Photo, pp. 26-43


Kendell Geers, Francesca Pasini


Artforum XLI No.1 p. 211, New York


Die Dokumenta 11


Kunstforum #161, Ruppichteroth Germany, pp. 268, 384


Kendell Geers, Jerome Sans


Tema Celeste #92, pp. 44-47 (Cover) , Milan


Kendell Geers, What is Art (Today); qu’est-ce que l’art (aujourd’hui)


Beaux Arts Special, Edition 2002, pp. 124 - 127, Paris


Afrikan Psycho, Jean-Max Collard


les Inrockuptibles #340, pp. 76 - 77, Paris


Trauma, Paul Tebbs


Contemporary, pp. 94-95, London


Paradoxes de la Mondialisation, Catherine Francblin


Artpress Special Numero # 22, p. 165


Authentic/Ex-Centric, Conceptualism in African Art, Salah M. Hassanand Olu Oguibe


Biennale de Venezia, Forum for African Art, New York


Video: Un Art Contemporain, Francoise Parfait


Editions du Regard, pp. 166, 226, 227, 242, 246, Paris


Art and Artifact, The Museum as Medium, James Putnam


Thames and Hudson,p. 108, London


Making whiteness strange, Liese van der Watt


Third Text 56, pp. 44-89, London


Infinite Justice, Eric Troncy


Les Editions du Reel, pp. 32-43, Dijon




Skultur-Biennale 2001 im Kreis Steinfurt, Claudia Herstatt


Kunstforum#157,p. 421, Ruppichteroth Germany


GI-Joe Attitude, Ch. Laubard & B. Ramade


Technikart #54, pp. 60 - 64, Paris


Where Angels Fear To Tread


The Guardian Guide


Review, Sarah Kent


Time Out London


2 Berlin Biennale


Kunstforum #155, p. 300, Ruppichteroth, Germany


Monster sehen dich an, Holger Liebs


Süddeutsche Zeitung # 94


Kratzen, wo es nicht juckt, Interview with Otto Neumaier


Frame #06,pp. 94-99, Vienna


The Newest Avant-Garde, Barbara Pollack


Artnews Vol 100/#4,pp. 124 - 129, New York


Durch den Tunnel der Gewalt, Ruth Handler


Art das Kunstmagazin


Kendell Geers: Timbuktu, Dieter Buchart


Kunstforum #153, p. 396,Ruppichteroth, Germany


Der melancholische Schrecken, Nikolai B. Forstbauer


Stuttgarter Nachrichten




3 Raume – 3 Flusse


Kunstforum #152, p. 336, Ruppichteroth Germany


Landmines in the Gallery, Interview with Jerome Sans


Trans> 8, pp. 268-274, New York


Reading the Contemporary- African Art from Theory to the Marketplace, Okwui Enwezor and Olu Oguibe


MIT press, Cambridge, Massachussetts


There’s a Bomb in This Exhibition: Kendell Geers charged, Ruth Kerkham


Parachute #99, pp. 30-40, Montreal


The Art of the Phoenix, Interview, Christine Macel


Art Press #257, Paris, pp. 28-33


Ex Africa semper aliquid novi, Ludovic Fouquet


Etc Montreal, p. 59 - 61 Montreal


Artiste du Mois, Catherine Francblin


Beaux Arts Magazine, p. 27, Paris


Micro Politiques


Parpaings #10, pp. 20-23, Grenoble


Ghetto Blaster, Jade Lindgaard


Les Inrockuptibles, #228, pp.56-57, Paris


Video Impressionante, Michel Nuridsany




Scenes de la destruction et autres images de la souffrance, Philipp Dagan


Le Monde, p.23, Paris



Contemporary African Art, Sidney Littlefield Kasfir


Thames and Hudson, p.165, London


Review, Flash Art


Vol 32 # 209, p.118, Milano


Kendell Geers, Katerina Gregos


Contemporary Visual Arts, issue 25, p. 56, London


Cityscape Johannesburg, Larie Firstenberg


Flashart #208, pp. 69-70, Milano


Extra et Ordinaire, Evelyne Jouanno


Flashart, Milano


Review 99, Katerina Gregos


Noticias ARCO #15, p. 8, Madrid


Trafique, Renate Puvogel


Kunstforum #146, p. 430, Ruppichteroth Germany




The Art Newspaper #94, pp. 66


Review, Sarah Kent


Time Out London, p. 55, 30 June-7 July


Video et photographie scellent leurs noces au Printems de Cahors, Michel Guerrin


Le Monde, June 23, Paris


Portrait des Künstlers als Voyer und Exhibitionist, Otto Neumeier


Noema #51, pp. 46-51


Geordende revolte in Glasgow, Ross Birrel


Metropolis M #2, pp. 32-33, Amsterdam


7 Triennale de Kleinplastik Europa – Afrika, Sigrid Feeser


Kunstforum #143, p. 398, Ruppichteroth, Germany


Performative Recollections: An interview with Artists Olu Oguibe and Kendell Geers, Laurie Firstenberg


Chicago Art Journal, pp. 102-108


High Red Center, Elisabeth Mahoney


Art Monthly # 224, pp. 27-29




South Africa, Cumulus, Hamza Walker


Parkett #52, p. 177


CREAM, Hou Hanru et al


Phaidon Press, pp 136-139, London


Art of Darkness: Darkness of Art, Clive Kellner


NKA, #9, Cornell University, pp. 68–69, New York


Cross/ing: Time, Space, Movement, Matthew DeBord


Flash Art, p. 80


Printmaking in a Transforming South Africa, Philippa Hobbs and Elizabeth Rankin


David Philip Publishers, pp 111, 120, 123-4, Cape Town and Johannesburg


Altered States: Die Kunst des Kendell Geers, Okwui Enwezor, Iklusion-Exclusion


DuMont, pp. 202-205, Köln




Review, John Peffer-Engels


African Arts, pp. 75-77


Review, Pascal Lampert


Metropolis M, #4, p. 61


Art in South Africa, The Future Present, Sue Williamson and Ashraf Jamal


David Philip Publishers, Cape Town and Johannesburg, pp. 9, 15, 58-61, 64




Africus, The Johannesburg Biennial, A Perspective David Koloane


African Arts, pp. 50 -56


Review, Dierk Schmidt


Springer, p. 68


Review, Tilman Baumgärtel


Springer, pp. 68-69


Aperto, Lorna Ferguson and Thomas Mulclaire


FlashArt, pp. 89 – 91, Milano


Crapshoot, Stuart Morgan


Frieze, # 29, pp. 64-65


Art in Review, Holland Cotter


New York Times


Moving In, Okwui Enwezor & Octavio Zaya


FlashArt, pp. 84-89, Milano


Why Have There Been No Avant-Garde African Artists?, Candice Breitz


Atlantica, #11, pp. 52-64/145-157


Retaining This Fire, Colin Richards


Atlantica, #11, pp. 31-44 / 132-144


Occupied Territories: Power, Access and African Art, Okwui Enwezor


Frieze, pp. 37-41




Picturing Health and Illness, Sander L Gilman


John Hopkins University Press, pp. 182-3, Baltimore


Report from Johannesburg Towards a World-Class City?,Thomas McEvilley


Art in America, pp. 45-49


Inside Out, Ruth Rosengarten


Frieze, pp. 43-49


Biennial, Ruth Rosengarten


Artnews, p. 168


South African Art - Out of Time, Benjamin Weil


Flash Art, pp. 74-76




Motho Ke Motho Ka Batha Babang, Teresa Macri


Virus, pp. 34-35, Cape Town, South Africa


Het Oproer Van De White Boys, Fred de Vries


Elsevier, pp.104-107, Amsterdam


Crossing The Boundaries: Two Examples in South African Art, Benjamin Weil


Atlantica, Number 8, pp. 19-27, 130-134


Con - Artist at the Louvre, Michael Green


You Magazine, pp. 139-140


Getting into Geers despite static, Anthea Bristowe


Business Day, p.14(Reprinted in Art Ventilator, p.51, Johannesburg, September 1994)


Two Artists who are Legends in their minds..., Hazel Friedman


The Star Tonight, p. 3, (reprinted in Art Ventilator, Johannesburg, p. 52, 1994 September


The Hottentot Venus, Jean-Yves Jounnais


Art Press, pp. 33-40, Paris


Separate and Equal, Andrew Solomon


The New York Times Magazine, pp. 44-89, New York


Sesta Biennale d'Art Sacra


La Passione di Cristo e la Guerra, pp.116-119, editoriale Eco srl, San Gabriele, Italy, 1994


Exposure, Andrea Vinassa


The London Sunday Times Magazine, p. 18, London


The 9 Cards of Chameleon Geers, Stephen Laufer


Weekly Mail, p.11, Johannesburg




Art For Africa?, Andrea Vinassa


House and Leisure, pp. 34-35, Milan


About Face Aspects of Art History and Identity in South African Visual Culture, Colin Richards


Third Text, pp.101-133, London


Different and Alike, Daniel Herwitz


Modern Painters, London, pp. 76-79


The Ten Most Intriguing South Africans


Femina, pp. 64-71, Cape Town




Resistance Art in South Africa


Sue Williamson, David Philip, p. 69, Cape Town

writings by the artist



The Divine Body, part two,Column by Kendell Geers


p.30, ArtSouthAfrica Magazine, winter, South Africa


Apropos South Africa, Kendell Geers


.ZA Gionane Arte dal Sudafrica, an exhibition curated by Marlene Dumas, Lorenzo Fusi, Kendell Geers, Bernie Searle, Minnette Vàri, Sue Williamson, Palazzo delle Papesse, Sienna (Catalogue)




I, Terrorealist, One Million and Forty-four years (and sixty three days)


pp.130-143, published by SMAC Gallery, Stellenbosch, South Africa




I, TerroRealist, Empire, Ruins+Networks, the transcultural agenda in art


edited by Scott McQuire and Nikos Papastergiadis, published by Melbourne University¨Press, pp.122-141, Australia


I, TerroRealist, Art in the Age of Terrorism


edited by Graham Coulter-Smith and Maurice Owen, published by Paul Holberton publishing, pp.114-129, London




The Work of Art in the State of Exile, Poetic Justice


8th Istambul Biennial, pp.048-057, September


History, Fleshed Out


Minette Vari, Museum of Art Lucerne, pp.9-12/89-92, Switzerland


The Plague is me


Onestar press, Paris, France, December


The Work of Art in the State of Exile


Milici Tomic, 'National Pavilion', pp.0-23, Venice Biennale




Scenario, The Queel


Metronome 8B, p. 71, London




RMIT Gallery, BHPBilliton


Undiscovered at 82


Robert Hodgins, Tafelberg Publishers, pp.62-69, Cape Town


The Affluence and the Effluence, The Bastard


Metronome No 7, 2001, pp. 193-199




The Affluence and the Effluence / Affluenza ed effluenza


Racconti d’identita, La Generazione della Immagini 7, pp. 88-107, Comune di Milano, Milan


What is the Artist's Role Today?


Jerome Sans and Marc Sanchez, p. 66, Palais de Tokyo , Paris


Guest Editor


Documents Sur l’Art, Dijon, France (Forthcoming)




Statement en beeldbijdrage


Metropolis M Nummer 2, Amsterdam, April – May pp. 29-32


Project Pages


Atlantica, Number 22, pp. 56-65




The Horror, The Horror, Stopping The Process? Contemporary views on art and exhibitions


NIFCA, pp. 163-173, Helsinki, Finland




Atlantica, Number 22


The Horror, The Horror


The CAPC Bordeaux, France May




Contemporary South African Art - The Gencor Collection


Jonathan Ball Publishers, Johannesburg




First Johannesburg Biennial


ArtPress, pp. IV-V, May


Fuck Art: The Prose of a Con-Artist


National Sculpture Symposium, Pretoria Technikon, 4 July


For or Against, South African Association of Art Historians National Conference


Wits University, 7 July




Third World Bites Back


Art Ventilator, pp. 12-15, Johannesburg, September




Art as Propaganda Inevitably Self-Destructs


Art From South Africa, pp. 23-24,MOMA, Oxford

artist's books



Guest editior of Be Contemporary Magazine


N.7, Summer, 184 pages, France, June


7+1 Project Room, The Terrorist's Apprentice + T.W.(Rock)


Marco Museo de Arte Contemoranea de Vigo, Vigo






Published on the occasion of the show 'PosPunkPaganPop' at de Pury & Luxembourg in Zürich, 2 June-16 August




Between Good and Evil


published by Center for Contemporary Art, CCA Kitakyushu, printed in an edition of 1000 copies, with 30 copies signed and numbered by the artist, 162 pages, ISBN-4-901387-25-1, Japan


Point Blank


published by Imschoot Uitgevers, printed in an edition of 1000 copies, with 30 copies signed and numbered by the artist, ISBN 90 7736 2126, Ghent, Belgium




The Plague is me


published by Onestar Press, First Edition limited to 25 numbered copies, 20 copies deluxe limited edition of the book accompanied by a signed and numbered multiple by the artist, 145 pages, Paris, France, Decembre






Published by Chalkham Hill Press, 30 copies signed and numbered by the artist




Fin de Partie


Published by Galleria Continua, Beijing






designed by Base design and published by BOM Publishers in cooperation with SMAK (Ghent), B.P.S.22 (Charleroi), Baltic (Gateshead), MOCA (Lyon) and MART (Trento), 296 pages, ISBN 978-84-934879-5-9, Barcelona, August






published by Tikiriki Publications, Brussels, Belgium, edited by Kurt Vanbelleghem, 107 pages, ISBN 90 7736 233 9, Belgium, February




Kendell Geers; The Forest of Suicides


published by MACRO, Museo D’Arte Contemporanea, 103 pages, ISBN 8837030509, Roma, May




My Tongue in Your Cheek


published by Les presses du Réel, Réunion des Musées Nationaux, 240 pages, ISBN 2-7118-4374-2, France, January






Published by Chalkham Hill Press, printed in an edition of 1000 copies, Johannesburg